The Color Pynk

Thinking with and through color is a lineage of Black women’s writing. In 1970, Toni Morrison pondered the meaning of...
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The Color Pynk

We Are Owed.

Grief is an offering none may refuse. When I was 26, my best friend died suddenly under mysterious circumstances. It...
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We Are Owed.

America, Goddam

Treva B. Lindsey’s America, Goddam: Violence, Black Women, and the Struggle for Justice provides an in-depth examination of the lived...
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America, Goddam

Embracing Emerging Visions of Dynamic and Unsettled "Feminist Frontiers"

We seek to advance feminist investigations and expressions into the 21st century. Frontiers -- as a term or topic of analysis -- envokes differing memories, figurations, affects and emotions.

Want to Submit?

Frontiers encourages general submissions in all areas of women's studies that explore the diversity of women's lives as shaped by such factors as race, ethnicity, class, dis/ability, sexuality, and place.

Volume 44, Issue 2

This general volume is divided among three sections. The first section explores Audre Lorde’s groundbreaking work on Black, lesbian, and women’s studies through the lens of labor. The second section of this volume presents two essays that focus on global feminist critiques, suggesting an expansive, and yet connective, vision of feminist conversations beyond the United States. The third section of this volume expands upon feminist concepts of time, imaginaries, women’s politics, and reproducti...

Frontiers Augmented

Frontiers Augmented is designed to pull the ear of the listener towards new or previously peripheral ideas. Augmented offers a place for deeper engagement with content published in the journal by featuring author interviews and artist perspectives and also provides new online-only content in the form of peer-reviewed Book Reviews, Online Colloquia, and Podcasts.

Contact Us

Phone

801-581-5555

Email

FrontiersJournal@utah.edu